Measurement-based Music Generation
Turning quantum-circuit measurement outcomes into musical events, including stochastic note generation, phase modulation, and quantum-game-theoretic approaches.
Quantum computing, musical creativity and interactive performance — research by Satofumi Souma, Kobe University.
Quantum Creation documents research connecting quantum-gate computation with musical creation and performance. The initial collection focuses on two approaches developed in research associated with the 2018 IPA MITOU Target programme.
Turning quantum-circuit measurement outcomes into musical events, including stochastic note generation, phase modulation, and quantum-game-theoretic approaches.
A simulator-based performance system translating quantum-state parameters and live-coded gate operations into musical expression.
The original Google Sites website also documented a real-time two-player musical interaction system presented at ISQCMC 2025. Its online demonstration, publication record, and condensed user guide have now been preserved here.
Explore the archived GUI and all five music-generation modes, illustrated with the original screenshots and quantum-circuit diagrams.
Code and modes →Read the 2022 book chapter and the author’s accepted manuscript.
Documents →Corresponding source-code repositories will be linked once their contents and publication status have been verified.
The international workshop on Quantum Technology, Music, and Creative Expression was held at Kobe University on October 10, 2026. The event brought together researchers, musicians, and participants interested in creative applications of quantum technologies.
Satofumi Souma
Department of Electrical and Electronic Engineering, Graduate School of Engineering, Kobe University, Japan.
researchmap profile ↗ · ssouma@harbor.kobe-u.ac.jp
This research website includes the results of “Development of a Music Creation System Applying Quantum Gate Circuits,” supported by the 2018 IPA MITOU Target programme (Gate-Type Quantum Computer Division) and conducted in 2018–2020, along with subsequent research and creative explorations.